Bach Bibliography
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Series : ^ChoralJ$
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
[]
1. A brief study of the Six motets of Johann Sebastian Bach. ChoralJ 8 2 Nov-Dec 1967 14-15
2. The Problem of Accompaniment. ChoralJ 9 1 Jul-Aug 1968 21-22
3. On Bach's Motets. (The Relationship of Text and Music). ChoralJ 9 2 Sep-Oct 1968 19-21
4. On Bach's Motets. Analysis of Compositional Technique used for Double Choir. ChoralJ 9 3 Nov-Dec 1968 21-23
5. Performance practices in the Baroque period. ChoralJ 11 9 May 1971 12-13
6. Interview with Helmuth Rilling. ChoralJ 16 3 Nov 1975 5-6
7. The Passion Music of Sebastian Bach and Heinrich Schuetz. ChoralJ 16 3 Nov 1975 10-13
8. C. P. E. Bach and his Oratorios. ChoralJ 21 5 Jan 1981 34, 36-40
9. Bach's 'St. John Passion' - a look at the Text and a New Numbering System. ChoralJ 21 6 Feb 1981 41-44
10. Aria form in the Bach B-minor Mass. ChoralJ 22 4 Dec 1981 17-19,22
11. Bach and the twenty-third Psalm. ChoralJ 22 8 Apr 1982 39-42
12. The motets of Johann Michael Bach. ChoralJ 24 10 Jun 1984 11-21
13. Bach in the Thomaskirche. ChoralJ 25 10 Jun 1985 6
14. Bach's significance. ChoralJ 25 10 Jun 1985 7-14
15. Performance of the cantus firmus 'O Lamm Gottes unschuldig' in the opening chorus of Johann Sebastian Bach's 'St. Matthew Passion'. ChoralJ 25 10 Jun 1985 15-19
16. A Performers Guide To J. S. Bach's Cantata BWV 106. ChoralJ 27 2 Sep 1986 15-18
17. Articulation in Late Baroque Choral Music. ChoralJ 27 10 May 1987 17-30
18. J. S. Bach's 'Lutheran' Masses: Aspects of Chronology and Structure. ChoralJ 29 7 Feb 1989 5-11
19. Samuel Felsted's Jonah - The Earliest American Oratorio. ChoralJ 32 7 Feb 1992 27-32
20. Mendelssohn's Lobgesang: A fusion of forms and textures. ChoralJ 33 4 Nov 1992 19-26
21. Mendelssohn's Chorale Cantatas: A Well-Kept Secret. ChoralJ 33 4 Nov 1992 31-33
22. The Bethlehem Bach Choir approaches its centennial. ChoralJ 34 9 Apr 1994 13-18
23. Helmut Rilling celebrates two anniversaries. ChoralJ 35 5 Dec 1994 9-15
24. J. S. Bach's B-Minor Mass: Symbolism and Twentieth-Century Performance Practices. ChoralJ 35 8 Mar 1995 21-29
25. Index to Bach Cantata Scores: Locations in the Bach Gesellschaft Edition, Neue Bach Ausgabe, Hänssler/Carus Verlag Catalog, and Kalmus Catalog. ChoralJ 35 8 Mar 1995 37-39, 42-44
26. Wie schön leuchtet der Morgenstern in the Chorale Cantatas of J. S. Bach. ChoralJ 38 5 Dec 1997 9-14
27. Camille Saint-Saëns' Christmas oratorio: Description, accessibility, comparison. ChoralJ 39 5 Dec 1998 49-53
28. Bach and Graupner: The Audition Cantatas. ChoralJ 39 7 Feb 1999 9-15
29. Mourning into dancing: Dance rhythms in J.S. Bach's St. Matthew Passion. ChoralJ 40 3 Oct 1999 9-22
30. Recitatives and Arias in Bach's Leipzig Church Cantatas. ChoralJ 41 4 Nov 2000 9-20
31. J.S. Bach and the Concerto: Ritornello as a Guide to Rehearsal. ChoralJ 41 4 Nov 2000 21-28
32. Bach's Use of the Chiasm in the St John Passion. ChoralJ 41 4 Nov 2000 29-36
33. Bach Cantatas for Choirs. ChoralJ 41 4 Nov 2000 39-45
34. Selected Examples of Choreinbau in the Cantatas of J.S. Bach. ChoralJ 41 5 Dec 2000 25-35
35. Bach in Boston: The Emergence of the St. Matthew Passion, from 1868 to 1879. ChoralJ 41 9 Apr 2001 21-33
36. Examination of movements 4 and 4a of Magnificat in D, Wq 215 (1747-49 1790-82) by Carl Philipp Emanuel Bach. ChoralJ 46 5 Nov 2005 16-31
37. Elements of Empfindsamkeit in the Heilig Wq. 217 (H.778) of Carl Philipp Emanuel Bach. ChoralJ 46 9 Mar 2006 10-23
38. Christmas 1723. Johann Sebastian Bach's Artistic Evolution. ChoralJ 48 1 Jul 2007 14-23
39. Hidden Allegory in J.S. Bach's 1724 Trinity Season Chorale Cantatas. ChoralJ 51 1 Aug 2010 6-17
40. In the footsteps of Bach: An interview with Georg Christoph Biller. ChoralJ 54 1 Aug 2013 34-43

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